Teaching artist and children’s book illustrator Filomena Jack demonstrates making digital art using a designer software ...
The Digital Arts area is technologically and creatively state-of-the-art. We use Wacom drawing tablets and Cintiq tablet-monitors, Apple and PC machines, animation tables, a professional-level capture ...
Registration for the Digital Arts, Film, and Animation Competition opens on October 15, 2024, with submissions accepted until March 14, 2025. Winners can choose between an all-expenses paid summer ...
TouchDesigner, a node-based visual programming tool, has gained prominence among digital artists for crafting interactive ...
The digital arts program explores the use and integration of new media technologies into art practices. Additionally, it offers a critical and collaborative art research environment where students ...
The Smithsonian Time-based Media & Digital Art Working Group is a pan-institutional initiative whose goal is to develop and share long-term and comprehensive preservation strategies for time-based ...
The programs reflect the fast-paced, constantly evolving field in which art, technology and science intersect and are based on an innovative, interdisciplinary and project-oriented curriculum. The MS ...
Many of our faculty and students have initiated online art history projects, making their scholarship and coursework more widely available while also incorporating new online platforms. From digital ...
digital art, and sculpture. Community Art programs include Fall, Spring and Summer sessions for adults ages 18 and older. The classes are also open to high school students, with written permission.
Interdisciplinary Media Art Practices (IMAP)-Digital Arts + Computer Science Minor The digital arts program explores the use and integration of new media technologies into art practices. Additionally, ...
SHREVEPORT, La. (KTAL/KMSS) – LSUS seniors show off their creative projects. The Digital Arts program of LSUS held its annual expo inside the Robinson Film Center on Thursday evening.