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The New Criterion
17 小时
New York chronicle
The choir sang Eben’s Prague Te Deum 1989. It premiered in April 1990, on the eve of a visit by Pope John Paul II. From the ...
The New Criterion
17 小时
Maestro/Ambassador Muti et al.
Rosa Feola, the Italian soprano, does her part in advocating Martucci. (She is a favorite singer of Muti, by the way.) She ...
The New Criterion
17 小时
Cape Cod’s mermaid surrealist
When the ship’s crew cut into Crook Jaw, they found neither Devil nor mermaid inside, just heaps of yellow seaweed. As it ...
The New Criterion
17 小时
The medical outlook
She, too, was a writer, and she sent me a short piece that she had published in a medical journal, which I found to be of ...
The New Criterion
17 小时
Exhibition note
Benjamin Riley on “Sorolla and the Sea,” at the Norton Museum of Art, Palm Beach.
The New Criterion
17 小时
Municipal decay
Michele H. Bogart on the Taber Sears mural in the New York City Council Chambers ...
The New Criterion
17 小时
Writing wrongs
Brooke Allen on “Academic Writing as if Readers Matter,” by Leonard Cassuto.
The New Criterion
17 小时
The old gods return
After Warburg died in obscurity in 1929, devotees tended his flame. His memory was preserved above all within the research ...
The New Criterion
17 小时
Civilization evoked
Alfred Corn on the letters of Shirley Hazzard & Donald Keene.
The New Criterion
17 小时
Orphic obscurity
Orphism in Paris, 1910–1930,” at the Guggenheim Museum, New York.
The New Criterion
17 小时
A different drum
Suisman’s is an uncomplicated narrative that begins in the Civil War, when military music still served purely utilitarian ...
The New Criterion
17 小时
Shaming the true
Nicholas Shrimpton on a recent Globe production of “The Taming of the Shrew.” ...
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