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The New Criterion
19 小时
The Critic’s Notebook
On Mondrian, the Orchestra of St. Luke’s, Henry Hobson Richardson, ancient moneymaking & more from the world of culture.
The New Criterion
1 天
The big three
Michelangelo Buonarroti, Leonardo da Vinci, and Raphael’s captivating works produce a grand scale of awe and occasion that ...
The New Criterion
4 天
Cringe Wagner
Our conductor was Nathalie Stutzmann, the Frenchwoman who is the music director of the Atlanta Symphony Orchestra. She is a ...
The New Criterion
4 天
Week in review
“‘El Cid’ Review: From Sword for Hire to Spanish Hero” Tunku Varadarajan, The Wall Street Journal ...
The New Criterion
9 天
“La bohème” & grand opera
It will go, as they all do. The Aida of Sonja Frisell, which premiered in 1988, ran for about 250 performances. It has been ...
The New Criterion
11 天
Star power
From her opening cries of “Mario!” (three of them), Radvanovsky was sovereign. She was una vera Tosca, a true Tosca. Italian, ...
The New Criterion
8 天
A Bill’s debts
How Early Modern Playwrights Shaped the World’s Greatest Writer,” by Darren Freebury-Jones.
The New Criterion
13 天
The orchestral Strauss, etc.
Last night, the New York Philharmonic was conducted by Kevin John Edusei, a German born in 1976. He cuts a dashing figure ...
The New Criterion
13 天
Rediscovering Hugo Charteris
On recent reissues of The Lifeline & Pictures on the Wall by Hugo Charteris.
The New Criterion
14 天
Veritably Verdi
George Loomis on a production of Verdi’s “La forza del destino” at La Scala.
The New Criterion
8 天
The Critic’s Notebook
Fiction: Lawrence Venuti and Michael Wood on Dino Buzzati’s The Bewitched Bourgeois, at McNally Jackson Books at the Seaport (January 16): In the fall of 2023, our fiction critic, Andrew Stuttaford, ...
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